X-Thug a.k.a MC Pepeljara a.k.a True Lee

06.01.2008., nedjelja

Afrika Bambaataa

Afrika Bambaataa (born Kevin Donovan) is a DJ and community leader from the South Bronx, who was instrumental in the early development of hip hop throughout the 1970s. Like many of the early pioneers in Hip-Hop, he is of West Indian descent. On September 27, 2007, he was nominated for induction into the Rock and Roll Hall of Fame.

History

Bambaataa was a founding member of the Bronx River Projects-area street gang, The Savage Seven. Due to the explosive growth of the gang, it later became known as the Black Spades, and he rose to the position of Division Leader. After a life-changing visit to Africa, he changed his name to Afrika Bambaataa Aasim. Bambaataa was influenced by the courage and strategic brilliance of Shaka Zulu seen in the movie and TV series "Shaka Zulu".


Birth of the Zulu Nation

Bambaataa decided to use his leadership to turn those involved in the gang life into something more positive to the community. This began the development of which later became known as the Universal Zulu Nation, a group of socially & politically aware rappers, B-boys, graffiti artists and other people involved in hip hop culture. By 1977, inspired by DJ Kool Herc and after Disco King Mario loaned him his first equipment, Bambaataa began organizing block parties all around the South Bronx. He even faced his mentor, Disco King Mario in a DJ battle. He then began performing at Stevenson High School and formed the Bronx River organization, then later simply "The Organization". Bambaataa had deejayed with his own sound system at the Bronx River Community Center, with Mr. Biggs, Queen Kenya, and Cowboy, who accompanied him in performances in the community. Because of his prior status in the Black Spades, he already had an established party crowd drawn from former members of the gang. He became known as one of the best DJs in the Bronx.

About a year later he reformed the group, calling it the Zulu Nation (inspired by his wide studies on African history at the time). Five b-boys (break dancers) joined him who he called the Shaka ZULU Kings, a.k.a. ZULU Kings; there were also the Shaka Zulu Queens. As he continued deejaying, more DJs, rappers, break dancers, graffiti writers, and artists followed his parties, and he took them under his wing and made them members of his Zulu Nation. He was also the founder of the SoulSonic Force, which originally consisted of approximately twenty Zulu Nation members: Mr. Biggs, Queen Kenya, DJ Cowboy SoulSonic Force (#2), Mr. Biggs, Pow Wow, G.L.0.B.E. (creator of the "MC popping" rap style), DJ Jazzy Jay Cosmic Force, Queen Lisa Lee, Prince Ikey C, Ice Ice (#1), Chubby Chub; Jazzy Five-DJ Jazzy Jay, Mr. Freeze, Master D.E.E., Kool DJ Red Alert, Sundance, Ice Ice (#2), CharlieChew, Master Bee, Busy Bee Starski, Akbar (Lil Starski), and Raheim. The personnel for the Soul Sonic Force were groups within groups with whom he would perform and make records.

In 1980, his groups made their first recording with Paul Winley Records titled, "Death Mix". Winley also recorded Soul Sonic Force's landmark single, "Zulu Nation Throwdown", produced by Disco King Mario. Disappointed with the results of the single, he left the company.


Recognition

In 1982, hip-hop artist Fab 5 Freddy was putting together music packages in the largely white downtown Manhattan New-Wave clubs, and invited Bam to perform at one of them, called the Mudd Club. It was the first time Bam had performed before a predominantly white crowd, making it one of the first times that hip-hop had fused with White culture. Attendance for Bam's parties downtown became so large that he had to move to larger venues, first to the Ritz, with Malcolm McLaren's group Bow Wow Wow (and where the Rock Steady Crew b-boys became part of the Zulu Nation), then to the Peppermint Lounge, The Jefferson, Negril, Danceteria, and the Roxy. "Planet Rock", a popular single, came out that June under the name Afrika Bambaataa and the Soulsonic Force. The song melded the main melody from Kraftwerk's "Trans-Europe Express" with electronic beats based on their track "Numbers" as well as portions from records by Ennio Morricone and Captain Sky[1] - thus creating a new style of music altogether, electro funk. It influenced many styles of electronic and dance music, e.g. freestyle music, house music and techno music.

Bambaataa organized the very first European hip hop tour. Along with himself were rapper and graffiti artist Rammellzee, Zulu Nation DJ Grand Mixer DXT (formerly Grand Mixer D.St), B-boy and B-girl crews the Rock Steady Crew, and the Double Dutch Girls, as well as legendary graffiti artists Fab 5 Freddy, Phase 2, Futura 2000, and Dondi. Afrika Bambaataa is one of the three main originators of break-beat deejaying, and is respectfully known as the "Grandfather" and "Godfather" of Hip Hop Culture as well as The Father of The Electro Funk Sound.

Bam's second release around 1983 was "Looking for the Perfect Beat," then later, "Renegades of Funk," both with the same SoulSonic Force. He began working with producer Bill Laswell at Jean Karakos's Celluloid Records, where he developed and placed two groups on the label: "Time Zone" and "Shango". He recorded "Wildstyle" with Time Zone, and he performed a duet with punk-rocker John Lydon and Time Zone in 1984, titled "World Destruction", the first time in history that hip-hop was mixed with rock predating Run-D.M.C.'s collaboration with Aerosmith on "Walk This Way". Shango's album Shango Funk Theology was also released by the label in 1984. That same year, Bam and other hip-hop celebrities appeared in the movie Beat Street.He also made a landmark recording with James Brown, titled "Unity." It was admirably billed in music industry circles as "the Godfather of Soul meets the Godfather of Hip Hop."

Around October 1985, Bambaataa and other music stars worked on the anti-apartheid album Sun City with Little Steven Van Zandt, Run-D.M.C., Lou Reed, and numerous others. During 1988, he recorded another landmark piece as "Afrika Bambaataa and Family" on Capitol Records, titled The Light[2], featuring Nona Hendryx, UB40, Boy George, George Clinton, Bootsy Collins, and Yellowman. Bam had recorded a few other works with Family three years earlier, one titled "Funk you" in 85, and the other titled Beware (The Funk Is Everywhere) in 1986.

In 1990, Bam made Life magazine's "Most Important Americans of the 20th Century" issue. He was also involved in the anti-apartheid work "Hip Hop Artists Against Apartheid" for Warlock Records. He teamed with the Jungle Brothers to record the album Return to Planet Rock (The Second Coming).

Greenstreet Records, John Baker, and Bambaataa organized a concert at Wembley Stadium in London for the A.N.C. (African National Congress), in honor of Nelson Mandela's release from prison. The concert brought together performances by British and American rappers, and also introduced both Nelson and Winnie Mandela and the A.N.C. to hip-hop audiences. In relation to the event, the recording Ndodemnyama (Free South Africa) helped raise approximately $30,000 for the A.N.C. Bam also helped to raise funds for the organization in Italy.

From the mid-1990s, Bam returned to his electro roots, collaborating with WestBam (who was named after him) which culminated in the 2004 album Dark Matter Moving at the Speed of Light which featured Gary Numan and many others. In 2000, Rage Against the Machine covered Afrika's song "Renegades of Funk" for their album Renegades. In that same year, Afrika Bambaataa collaborated with Leftfield on the song "Afrika Shox", the first single from Leftfield's Rhythm and Stealth. "Afrika Shox" is also popularly known from the soundtrack to Vanilla Sky. In 2006, he was featured on the British singer Jamelia's album Walk With Me on a song called Do Me Right, and on Mekon's album Some Thing Came Up, on the track D-Funktional. Bambaataa has also performed the lyrics on the track "Is There Anybody Out There" by The Bassheads. As an actor, he has played a variety of both hilarious and serious voice-over character roles in the international television series known around the world as Kung Faux [1] from Dubtitled Entertainment and Tommy Boy Films [2].

On September 27, 2007, it was announced that Afrika Bambaataa was one of the nine nominees for the 2008 Rock and Roll Hall of Fame Inductions.[3]

On December 22nd, 2007, he made a surprise appearance performing at the First Annual Tribute Fit For the King of King Records, Mr. Dynamite James Brown in Covington, KY.


Activism

Around the early 1990s, many violent films were produced that glorified California gang life, fueling hype about "Bloods" and "Crips". The Bloods and Crips, two major black street gangs that feud in West Coast ghettos, had now been adopted by New York and other East Coast youth who admired the image seen on screen. A rash of initiation assaults, raids, and gang violence ensued after being denounced in the early stages of hip hop. Suddenly a trend of Bloods and Crips association and attire was seen in rap music, and gangs began to target innocent people and fight with each other. Bambaataa, having seen it lead to increased negativity in the past, began holding peace conferences. He called on all gang leaders from the Latin Kings street gang, Crips, and Bloods and formed a peace treaty in the streets. Bambaataa is credited for preventing huge gang wars and an outbreak of crime while outsiders and politicians credited Rudy Giuliani, the Mayor of New York City at the time.[citation needed]


Selected Discography


12-inch SinglesYear Title Label
1982 "Planet Rock" Tommy Boy Records
1982 "Looking For The Perfect Beat" Tommy Boy Records
1983 "Renegades of Funk" Tommy Boy Records
1983 "Wildstyle" Celluloid Records
1993 "Zulu War Chant" Profile Records
1993 "What's the Name of this Nation?...Zulu" Profile Records
1993 "Feeling Irie" DFC
1994 "Pupunanny" DFC
1994 "Feel the Vibe" (with Khayan)
1998 "Agharta - The City of Shamballa" (with WestBam) Low Spirit Recordings



AlbumsYear Album Label
1985 Sun City (Artists United Against Apartheid) EMI
1986 Planet Rock: The Album Tommy Boy Records
1986 Beware (The Funk Is Everywhere) Tommy Boy Records
1987 Death Mix Throwdown Blatant
1988 The Day EMI America Records
1991 The Decade of Darkness 1990-2000 EMI Records USA
1992 Don't Stop... Planet Rock (The Remix EP) Tommy Boy Records
1996 Jazzin (Khayan album) ZYX Music
1996 Lost Generation Hottie
1996 Warlocks and Witches, Computer Chips, Microchips and You Profile Records
1997 Zulu Groove (Compilation) Hudson Vandam
1999 Electro Funk Breakdown DMC
1999 Return to Planet Rock Berger Music
2000 Hydraulic Funk Strictly Hype
2000 Theme Of The United Nations w/ DJ Yutaka (Japan Only) Avex Trax
2001 Electro Funk Breakdown (Compilation) DMX
2001 Looking for the Perfect Beat: 1980-1985 (Compilation) Tommy Boy Records
2004 Dark Matter Moving at the Speed of Light Tommy Boy Records
2005 Metal Tommy Boy Records
2005 Metal Remixes Tommy Boy Records
- 03:13 - Tell Me What The F**k U Want (7) - Spit It Motherfucker - Klikni Ovo

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ovo je blog koji se gleda i čita
zabranjeno je bajtanje
Copyright© 2004.-2007.MC Pepeljara a.k.a X-Thug


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Ovo djelo je ustupljeno pod Creative Commons licencom Imenovanje 2.5.



Nine Elevens
9 11`s



We R the UNDERGROUND
What? MC i`m the NUMBER ONE
U want C him dead, consider it done





ako me ko oće kontaktirat
MSN: mc_pepeljara@hotmail.com


b aware of this dOGg

`bout me

known as:X-Thug
age:1989
crew:Nine Elevens,NewChaos Crew,EBB
album(s):Nelagodne Misli,Hits From Da Joint(oba su u izradi) + 1 stare ristva demo...jako u izradi i pri kraju
eye color:plavo-zelene-sive
hair color:neman kose
style:ol` s`cool,undrgrnd,gangsta,BATTLE
music:ol` s`cool,undergrnd,west,south

betlz/songz/lyriczs/short tXtZzz

ko pička svaki betler sa ove teme pobježe
zašto?jer moja rima sve izreže
jer su oštre poput oštrice mača
zovete se opakim MCijima a sranje van smrdi iz gača


viknem kujo//ti si još ponosna
ma svaka rima//ti je jako rosna
nema šta//najbolja,si battle MC
kad triba pisat//nekoga dissat//tu ti nisi


jebeš majk kad moja usta te koknu
gledam kako početnici pokušavaju dobru da rimu roknu
mašta i um su mi jedno,niko od vas nije mi do kolina,bjedno,nazivate se
rapperima nekim iskusnim i opakim,al ja vas smatram plijenom lakim


i da ti je zanimanje moreplovac, falila bi flow
curo ja san mirotvorac,moj ritam je slow
kad ja počnem dissat,molit ćeš da stanem
sprdnje sam počeo pisat,al gotovo je kad planem


koristiš te neke komplicirane riči da ljudi misle kako si obrazovan
jebeš sve potplačene rappere ja još i dan danas dilan
potplačen,potlačen nosiš željezni lančić pozlačen
jaki betl MC kad zine potiraju ga sa bine jer mu iz usta smrdi


šta koristiš,kopi paste,nećiji txt
jer bez txta si osta,neš ti tvog posta
par bjednih rima,nula puncheva,samo u mozak sheva
ja te otpuhujem lima,poput dima,moj punch moja shema



drkaš na moje rime jer nisi čua bolje
puši mi ga brate,još uvik si dolje
DROLJOOOO!!ja san iz ZD-skog undrgrnda
smeće jedno,okreni se svako te u tvon gradu sprda



možda se nedružiš sa njima ali si u srodstvu
očeš mi se pridružit,ne...nemožeš sudjelovat u verbalnom ubojstvu
ubijam te ričima,ubijam u pojam,1-8-7
uzimaš mic u ruke a ja te slušam i smijem ti se dok te gledam



ovo je diss u 4 retka,nisan puca jer nisi vrijedan metka
stojiš tu jer ja još to oću,iz sažaljenja
al zbog ovih redaka ne spavaš noću,nema ti spasenja
noćne more izazivan,dečko jebu te u mozak jer si naivan



kad bi ti bia noćna ptica ti bi bia čuk
kad zineš odjednom nastane muk
jer svi dobiju želičane tegobe od tvoje muzike
dečko uči se još se uči i čitaj ove lirike



još jedanput reci nismo možda čuli
sad se pokupi odavde i svima reci da te dobia TRUE LEE
dečko kopiraš sam sebe,pa tako se nedobivaju multiji
možda posli ovog postaneš kreativniji



el ti pišeš memoare ili betlaš
najbolje bi bilo da sidiš sastrane i samo gledaš,neznaš
neznaš betlat,a punch ti je idemo brati cvice
bila bi to sve ljubavna pisma samo da spomenes svice

kraj 2007...
u mraćnoj sam sobi sada palin sviću
njezin plamičak se igra sjenama po zidu
sjedim pokraj drvenog stolića u običnoj sofi
promatram čudne sjene što kreču se po sobi
izgrizenu olovku sad iz djepa vadim
pa pišem o potoku i kako travu sadim
o slapu sta nikako ne prestaje teči
pa pljucam vaš flow koji se utapa ko mačak u vreči
a pančeve vam razbijam ko šta se kapi raspršuju o kamen
žarim i palim pa me još ekipa zove i opaki plamen...
(nesvidja mi se kraj...al to nije ni dovrseno)


za debelim drvenim stolom od bukovine
ja i frend metalac smo rokali mine
teroristi novog doba,naoruzani majkom
bocom domačeg vina i lozovače
ko se ne pokori nama robovat će
jer krenuli smo protiv cajki u đihad
auto cesta,bosna,prva postaja bihač
(tako tako al i ovo mi se bas ne svidja previse)





Copyright© 2004.-2007.MC Pepeljara a.k.a X-Thug


Creative Commons License


Ovo djelo je ustupljeno pod Creative Commons licencom Imenovanje 2.5.

sve je ovo samo zajebancija stoga ne serite poono