X-Thug a.k.a MC Pepeljara a.k.a True Lee
02.10.2008., četvrtak
Bad Request (Invalid verb)
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ovih zadnjih par dana san se uzjeba pokusavajuci uci na jebeni hotmail i myspace...proba san sa IE-om on je pisa ''site cannot be found'' ili tako nesto u tom stilu,opera je pisala ''Bad request(Invalid verb)''pita san cak frendove jel njima otvara i oni su rekli da otvara al u mozili,skinuo sam cak i ovu novu mozilu i s njom mi je isto ispisivalo kao i sa operom,pita se sve te mamlaze koji se ka kuze u to,ni oni nisu imali pojma...ja san se mucia mucia trazia rjesenje i svugdi se pisalo da triba izbrisat windowse i nanovo instalirat (ne repair) a i u 90% slucajeva su ljudi imali instaliranu Vistu dok je kod mene jos onaj XP...proba sam pobrisat sve ''keksiće'' i opet nije koristilo,već san bia popizdia na rubu sloma živaca,čita san ono šta piše i tražia rješenje...updejta san spybot i ad-aware,skenira san sa nodom najnovijim i onin nekim trendi kurcom to san odma izbrisa jer je bilo tupavo...pobrisa san sav history i one pizdarijici od temporari fajlova sa Advanced Uninstalerom...cita sam i dalje i cita i skuzia da se na vise mista osim da se mora reinstalirat windowsi i neko prckanje po nekom sranju spominje i neki ''windows family security'' (sta san ja bia skinia prije koji misec kad san updejta windowse na njihovoj stranici i ubrzo nakon toga i maka jer mi je samo smetalo) pa u prvi tren nisan ni obraca pozornost na to...sitia san se da je napravljen back up tj onaj povratak neki na safe point koji misec prije i to taman oko tog dana kad mi se pocelo dogadjat to sranje,reka san''pa nista me ne kosta da oden vidit iman li to govno u kompu'',otvoria san Advanced Uninstaler i utipka ''windows family security'' i pronaslo mi ga je,pobrisa san ga i restarta komp,nakon toga je sve normalno radilo...pa da ne zaboravim to eo stavia san ode ako mi se kojim slucajem opet dogodi da nemoran trazit na engleskom... |
02.07.2008., srijeda
dva moja novija k-styla
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u toj svijetlosti nasa san mrtvu tocku tamnu stranu,po podu mozak prosut sve je meko,pahuljasto,bijelo sad lagano gubim,sta tesko sam steko kolo se vrti suprotno od kretanja prozor spušten,kroz uši cure sijecanja gube se u svijetlosti,sad svijetli mrak u mraku scucuren sjedi djecak plah ''lem jesi to ti,jesi to ti harlem 23'' djecak tih,pozorno upija moj stih iz usiju mu curi krv,ociju nema el ovo paranoja ili je on zvijerka sta iz pakla preko ceste je nasla put mozda nije nista,mozda sam samo lud lagana paranoja me krpa,ajme zidovi se krive,po nebu se crtaju sare na livadama zelenim ne raste trava to su rukle ljudi na koje se pljesan hvata ruke rasirene ka da oce uhvatit nesto na to polje dnevno dodje jedan nekro gleda i uživa u tom zelenom polju uživa u tom trulom,al opet lipom vonju gleda u zelenilo kojem nema kraja gleda nebo,perfekciju nebeskog sklada kako se spaja sa livadom ruku sta podsicaju da ovaj svit ide u kurac bolestine koje padaju na pamet masakri koji na kraju ispadnu zajeb smetlista na kojima je vise mrtvih nego smeca,a ja taj smrad trpim dva desetljeca,a ko vjecnost to traje u nedogled smanjuje vrijednost/i kvalitetu života i okoliša,sve ugiba cest otrov sta rijetko ubija Copyright© 2008. True Lee |
23.04.2008., srijeda
zbirka keystylova (green outpost)
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valjda svi znate sta je keystyle,fristajl na tipkovnici,eto ako neko nije zna,ovo je moja zbirka za/razne bolesti sa jednog 4ruma di san kistajla,iz mog topica koji se zva 'green outpost' ps. UŽIVAJTE U GUBLJENJU VIDA UZ OVE TXT-ice pps. PARENTAL ADVISTORY ppps. NIJE ZA ONE SA SLABIJIM ŽELUDCEM evo pocinje od ove stvari,i ide kronoloskim redosljedom _____ ___ _ __ _____ alo ljudi čujte moju novu spiku neki dan san silova neku babu slipu sad silujen žene u godinama zlatnim cice do kolina,slomljeni kuk baš lip je tak krhki struk ta naborana koža puna bora hrapavije noge nego hrastova kora bespomoćno leži nemore mi vratit al jebiga necija p**ka mora platit na kraju sritna ona sritan ja kad vidin babi osmih na licu nije mi ža je da struže i da pica nije ko nekoć al ja san u krizi pa mi more sve proć ne tuže,još paru daju,pa me sve sad znaju dobrotvorac dobrog srca mlad i dobro prca a kad baba u spermi se guši tad su meni najvecu gušti opizdit joj po leđima i koji kralježak slomit koji tjedan u bolnici,u toplom poklonit al dosta o tome sada je kraj jebeš raj,ljudi baj baj ________________________________________________ pohod se nastavlja,ovo je bitka bez kraja stihove sastavljam i čekam da se pridruži raja ovo su boleštine bolesne spojene sa bedastočama i ništa nikom nije jasno osin da san štetočina al to nije bitno jer lagano se pobjedi bližim al tlo se trenutno zaledilo pa kažem da klizim u fak isprid mene je vnogo,šta ću sad nije ga baš mnogo,al bi mogo slomit vrat je poskočio sam i preskačem,sav prestravljen to smeđe smeće iza mene samo na pustini ostaje ________________________________________________ na zelenoj straži još palim i žarim užarenim metalnim slovom te udarim žigošem te slovom F jer obilježava tebe ko i većinu sada i tu nepuštam te da prođeš granicu i dalje si wannabe i dalje ti jeben mamicu podzemlje ti nije daleko,al ti mu nisi blizu kad te udrem doživiš brale jebenu krizu krizu identiteta,zato bježi lima van mog terena dok ti još u mozgu sve štima ________________________________________________ jebeš pištolje i olovo ja te ubijem olovkom za božić dobiješ od mene poklon punch ispod bora pa ravno u rebra ti si vukodlak,moja slova su od srebra a ja ja san jebeni tokar šta točin alkohol u bazene pa se kupan u istome u hladu borove sjene pijanstva su prošlost,sad ločem bez obaveze svaki dan bezveze,slavim sebe svoj um ne pijen slabe alkohole samo gin i rum pijen iz bačve,jer su mi male sve čaše gledan kako jetra stat će,al te me misli plaše a plašim i ja vas ko baba roga malu dicu jebeš sve bajke,sad ja pričan svoju priču a ona nema sretan kraj,bar za tebe ne obipen na križu na kraju priče si raspet jebeš mi mater al sjeba san radnju i zaplet riječi iskrene,šta?ono wtf...moja su slova ubojita sad za tebe tu ________________________________________________ pada snig ajte ljudi na prozore jer dok ja driftam po snigu,vi na netu širite obzore zimske radosti,grudanje ledom,krvava kolina spicia san celon u kamen,i jako boli da zasra san snig svojon krvlju,sad se crveni svi ti uplašeni pogledi,okrenuti prema meni i dok mi krv cidi ni lice,dizem motor na centralnu vadim iz djepa maramicu u koju sam ispuva nos brišem se i gledam,ne virujemo svojim ocima komadic mozga,sad u ledenom grobu pociva padam u nesvist... ________________________________________________ gledan zubato sunce kako mi se smije al nakon prvog lajna betla krezubo ostaje ovaj txtic iz dosade ubije bez muke sve ostale jebeni sa lirički mastermind šta bacan rappresent,my vers,nuthin' else ja san bulletproof za sve pa i tebe al u ovom slučaju punchproof pa sad ostaješ sam,ljut ponižen,potišten,u sebe zatvoren dok po flowu kližem,slaju ližem pokazujem ti najviši prst od svih pet i to zato jer mi se neda skinit gače... ---tiki tiki skreć--- =) ja ja ja i hrvatski velikani letimo nebom ko jebeni pelikani vatamo ribu i seremo na ribare* nekidan san leđnim stilom letia i upa usri bare otresa san krila,bacija paperje koje je pobilo sve vas ''rappere''* pero je jače od metka,ja san ptica ti možda jesi vrabac,al ja san grabežljivac e da dok Nine Elevensi nebeskim svodom lete,kad se sjete plesnu kujo svakog kod tebe,naravno kad slete za kraj Nine Elevens 1 - 8 - 7 pičkoooooooooo ________________________________________________ maškare...šator ja bez majce potpuno gol jole piva a s mene cidi znoj uvaljujen se jednoj kuji, drugoj kuji i tako dalje šta to radin?koji zajeb jebeš žestu ja taren ribara jer se za nešto drugo nema para neka kola i još jedno ukradeno vino narolja san se ko kreten,baš fino eno lucija,iden je sad jebat u mozak =) a baš san drzak i smijen se,a ona vadi držak za noževe i udre me u glavu veliki potres mog malog mozga padan u komu,delirij i sve to sad san vas ovin pojmovima sjebo i dalje izgoren i dalje lud i dalje me niko ne hvali za trud 3 i 4 lajna su laž,tako da ne dobijen po pički jer i ovako od jučer mi faca na kaos sliči ________________________________________________ ako nemaš love samo digni ruke u zrak ja sam... ledeno hladna kmica tj. hladnokrvni ubojca šta te ubijam slovom pogodim te bocom razbijen ti arkadu pokopam ti nadu i to sve livon rukom i da si Chuck Norris ne možeš me dobit dam ti šiljak za led,i dalje se nemoš probit kroz istu kockicu leda s kojom pijen gin ni da ti se lajne zovu MRSA nebi bile bolesne... ________________________________________________ ako kažu da san izgor oni lažu,lažu nevirujte ljudi da lud je truli on je samo malo skrenia otkad je onu drogu okrenia pošendrca je skroz neku babu prca i kroz... nekoliko dana već ne spava ode urla ispod prozora pali patike po asfaltu vata note kod zvučnika glavu je omota u dva ručnika iliti šugamana laje i reži kad neko prolazi popiša se na nogu kad neko dolazi sere po grmovima i nosi lanac od pasa virujte ljudi,od danas mu više nema spasa ako kažu da san izgor oni lažu,lažu ako kažu da san izgor oni lažu,lažu ako kažu da san izgor oni lažu,lažu ________________________________________________ da također jučer san se umea iša san gradon i vika ou yea pia san bambusa i neke zeste pijan nisan samo vikendom,vec sve cesce urlan,čagan,sve sramotin prvo napravin pizdariju,pa situaciju razmotrin mamurna jutra prespavan zapravo prespavan dan teturan ulicom pijan vozin skut sa preko nekoliko promila u krvi ako se negdi pije,tamo san ja prvi ma koji promili,alkohol brojin u postotcima ne brojin boce,ja ga ispijan u potocima Copyright© 2008. True Lee __ __ | -_- |
02.04.2008., srijeda
nesto se radi
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eo radi se u zadru radi,pomocu udruga ce mo promovirat hip-hop u gradu,dakle ples,rap i grafite,bit ce jam valjda a za ovog madrfakera ša njake lido da ja nean pojma šta je hip-hop sljedeće...ka prvo ti si annoniman pa zato odjebi,ka drugo nigdi nisan napisa da je hip-hoop muzika,i ka treće u svakon slućaju znan više od tebe... |
06.01.2008., nedjelja
Afrika Bambaataa
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Afrika Bambaataa (born Kevin Donovan) is a DJ and community leader from the South Bronx, who was instrumental in the early development of hip hop throughout the 1970s. Like many of the early pioneers in Hip-Hop, he is of West Indian descent. On September 27, 2007, he was nominated for induction into the Rock and Roll Hall of Fame. History Bambaataa was a founding member of the Bronx River Projects-area street gang, The Savage Seven. Due to the explosive growth of the gang, it later became known as the Black Spades, and he rose to the position of Division Leader. After a life-changing visit to Africa, he changed his name to Afrika Bambaataa Aasim. Bambaataa was influenced by the courage and strategic brilliance of Shaka Zulu seen in the movie and TV series "Shaka Zulu". Birth of the Zulu Nation Bambaataa decided to use his leadership to turn those involved in the gang life into something more positive to the community. This began the development of which later became known as the Universal Zulu Nation, a group of socially & politically aware rappers, B-boys, graffiti artists and other people involved in hip hop culture. By 1977, inspired by DJ Kool Herc and after Disco King Mario loaned him his first equipment, Bambaataa began organizing block parties all around the South Bronx. He even faced his mentor, Disco King Mario in a DJ battle. He then began performing at Stevenson High School and formed the Bronx River organization, then later simply "The Organization". Bambaataa had deejayed with his own sound system at the Bronx River Community Center, with Mr. Biggs, Queen Kenya, and Cowboy, who accompanied him in performances in the community. Because of his prior status in the Black Spades, he already had an established party crowd drawn from former members of the gang. He became known as one of the best DJs in the Bronx. About a year later he reformed the group, calling it the Zulu Nation (inspired by his wide studies on African history at the time). Five b-boys (break dancers) joined him who he called the Shaka ZULU Kings, a.k.a. ZULU Kings; there were also the Shaka Zulu Queens. As he continued deejaying, more DJs, rappers, break dancers, graffiti writers, and artists followed his parties, and he took them under his wing and made them members of his Zulu Nation. He was also the founder of the SoulSonic Force, which originally consisted of approximately twenty Zulu Nation members: Mr. Biggs, Queen Kenya, DJ Cowboy SoulSonic Force (#2), Mr. Biggs, Pow Wow, G.L.0.B.E. (creator of the "MC popping" rap style), DJ Jazzy Jay Cosmic Force, Queen Lisa Lee, Prince Ikey C, Ice Ice (#1), Chubby Chub; Jazzy Five-DJ Jazzy Jay, Mr. Freeze, Master D.E.E., Kool DJ Red Alert, Sundance, Ice Ice (#2), CharlieChew, Master Bee, Busy Bee Starski, Akbar (Lil Starski), and Raheim. The personnel for the Soul Sonic Force were groups within groups with whom he would perform and make records. In 1980, his groups made their first recording with Paul Winley Records titled, "Death Mix". Winley also recorded Soul Sonic Force's landmark single, "Zulu Nation Throwdown", produced by Disco King Mario. Disappointed with the results of the single, he left the company. Recognition In 1982, hip-hop artist Fab 5 Freddy was putting together music packages in the largely white downtown Manhattan New-Wave clubs, and invited Bam to perform at one of them, called the Mudd Club. It was the first time Bam had performed before a predominantly white crowd, making it one of the first times that hip-hop had fused with White culture. Attendance for Bam's parties downtown became so large that he had to move to larger venues, first to the Ritz, with Malcolm McLaren's group Bow Wow Wow (and where the Rock Steady Crew b-boys became part of the Zulu Nation), then to the Peppermint Lounge, The Jefferson, Negril, Danceteria, and the Roxy. "Planet Rock", a popular single, came out that June under the name Afrika Bambaataa and the Soulsonic Force. The song melded the main melody from Kraftwerk's "Trans-Europe Express" with electronic beats based on their track "Numbers" as well as portions from records by Ennio Morricone and Captain Sky[1] - thus creating a new style of music altogether, electro funk. It influenced many styles of electronic and dance music, e.g. freestyle music, house music and techno music. Bambaataa organized the very first European hip hop tour. Along with himself were rapper and graffiti artist Rammellzee, Zulu Nation DJ Grand Mixer DXT (formerly Grand Mixer D.St), B-boy and B-girl crews the Rock Steady Crew, and the Double Dutch Girls, as well as legendary graffiti artists Fab 5 Freddy, Phase 2, Futura 2000, and Dondi. Afrika Bambaataa is one of the three main originators of break-beat deejaying, and is respectfully known as the "Grandfather" and "Godfather" of Hip Hop Culture as well as The Father of The Electro Funk Sound. Bam's second release around 1983 was "Looking for the Perfect Beat," then later, "Renegades of Funk," both with the same SoulSonic Force. He began working with producer Bill Laswell at Jean Karakos's Celluloid Records, where he developed and placed two groups on the label: "Time Zone" and "Shango". He recorded "Wildstyle" with Time Zone, and he performed a duet with punk-rocker John Lydon and Time Zone in 1984, titled "World Destruction", the first time in history that hip-hop was mixed with rock predating Run-D.M.C.'s collaboration with Aerosmith on "Walk This Way". Shango's album Shango Funk Theology was also released by the label in 1984. That same year, Bam and other hip-hop celebrities appeared in the movie Beat Street.He also made a landmark recording with James Brown, titled "Unity." It was admirably billed in music industry circles as "the Godfather of Soul meets the Godfather of Hip Hop." Around October 1985, Bambaataa and other music stars worked on the anti-apartheid album Sun City with Little Steven Van Zandt, Run-D.M.C., Lou Reed, and numerous others. During 1988, he recorded another landmark piece as "Afrika Bambaataa and Family" on Capitol Records, titled The Light[2], featuring Nona Hendryx, UB40, Boy George, George Clinton, Bootsy Collins, and Yellowman. Bam had recorded a few other works with Family three years earlier, one titled "Funk you" in 85, and the other titled Beware (The Funk Is Everywhere) in 1986. In 1990, Bam made Life magazine's "Most Important Americans of the 20th Century" issue. He was also involved in the anti-apartheid work "Hip Hop Artists Against Apartheid" for Warlock Records. He teamed with the Jungle Brothers to record the album Return to Planet Rock (The Second Coming). Greenstreet Records, John Baker, and Bambaataa organized a concert at Wembley Stadium in London for the A.N.C. (African National Congress), in honor of Nelson Mandela's release from prison. The concert brought together performances by British and American rappers, and also introduced both Nelson and Winnie Mandela and the A.N.C. to hip-hop audiences. In relation to the event, the recording Ndodemnyama (Free South Africa) helped raise approximately $30,000 for the A.N.C. Bam also helped to raise funds for the organization in Italy. From the mid-1990s, Bam returned to his electro roots, collaborating with WestBam (who was named after him) which culminated in the 2004 album Dark Matter Moving at the Speed of Light which featured Gary Numan and many others. In 2000, Rage Against the Machine covered Afrika's song "Renegades of Funk" for their album Renegades. In that same year, Afrika Bambaataa collaborated with Leftfield on the song "Afrika Shox", the first single from Leftfield's Rhythm and Stealth. "Afrika Shox" is also popularly known from the soundtrack to Vanilla Sky. In 2006, he was featured on the British singer Jamelia's album Walk With Me on a song called Do Me Right, and on Mekon's album Some Thing Came Up, on the track D-Funktional. Bambaataa has also performed the lyrics on the track "Is There Anybody Out There" by The Bassheads. As an actor, he has played a variety of both hilarious and serious voice-over character roles in the international television series known around the world as Kung Faux [1] from Dubtitled Entertainment and Tommy Boy Films [2]. On September 27, 2007, it was announced that Afrika Bambaataa was one of the nine nominees for the 2008 Rock and Roll Hall of Fame Inductions.[3] On December 22nd, 2007, he made a surprise appearance performing at the First Annual Tribute Fit For the King of King Records, Mr. Dynamite James Brown in Covington, KY. Activism Around the early 1990s, many violent films were produced that glorified California gang life, fueling hype about "Bloods" and "Crips". The Bloods and Crips, two major black street gangs that feud in West Coast ghettos, had now been adopted by New York and other East Coast youth who admired the image seen on screen. A rash of initiation assaults, raids, and gang violence ensued after being denounced in the early stages of hip hop. Suddenly a trend of Bloods and Crips association and attire was seen in rap music, and gangs began to target innocent people and fight with each other. Bambaataa, having seen it lead to increased negativity in the past, began holding peace conferences. He called on all gang leaders from the Latin Kings street gang, Crips, and Bloods and formed a peace treaty in the streets. Bambaataa is credited for preventing huge gang wars and an outbreak of crime while outsiders and politicians credited Rudy Giuliani, the Mayor of New York City at the time.[citation needed] Selected Discography 12-inch SinglesYear Title Label 1982 "Planet Rock" Tommy Boy Records 1982 "Looking For The Perfect Beat" Tommy Boy Records 1983 "Renegades of Funk" Tommy Boy Records 1983 "Wildstyle" Celluloid Records 1993 "Zulu War Chant" Profile Records 1993 "What's the Name of this Nation?...Zulu" Profile Records 1993 "Feeling Irie" DFC 1994 "Pupunanny" DFC 1994 "Feel the Vibe" (with Khayan) 1998 "Agharta - The City of Shamballa" (with WestBam) Low Spirit Recordings AlbumsYear Album Label 1985 Sun City (Artists United Against Apartheid) EMI 1986 Planet Rock: The Album Tommy Boy Records 1986 Beware (The Funk Is Everywhere) Tommy Boy Records 1987 Death Mix Throwdown Blatant 1988 The Day EMI America Records 1991 The Decade of Darkness 1990-2000 EMI Records USA 1992 Don't Stop... Planet Rock (The Remix EP) Tommy Boy Records 1996 Jazzin (Khayan album) ZYX Music 1996 Lost Generation Hottie 1996 Warlocks and Witches, Computer Chips, Microchips and You Profile Records 1997 Zulu Groove (Compilation) Hudson Vandam 1999 Electro Funk Breakdown DMC 1999 Return to Planet Rock Berger Music 2000 Hydraulic Funk Strictly Hype 2000 Theme Of The United Nations w/ DJ Yutaka (Japan Only) Avex Trax 2001 Electro Funk Breakdown (Compilation) DMX 2001 Looking for the Perfect Beat: 1980-1985 (Compilation) Tommy Boy Records 2004 Dark Matter Moving at the Speed of Light Tommy Boy Records 2005 Metal Tommy Boy Records 2005 Metal Remixes Tommy Boy Records |
19.12.2007., srijeda
moj geto gradic
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http://white-hill.myminicity.com/tra klikni pa vidi evo prominia se malo !!! |
08.12.2007., subota
anti-CAAAAAAAAAAJKEEEEEEEE
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pjesma za sve cajkoslušače,cajkoobožavatelje i takvu ekipu posto ja pisen samo o undergroundu/demu/old skulu ova pisma ne odskace od svega toga jer ovo je napisano od strane mene,a ja sam niko i nista =) ...za debelim drvenim stolom od bukovine ja i frend metalac smo rokali mine teroristi novog doba,naoruzani majkom bocom domačeg vina i lozovače ko se ne pokori nama robovat će jer krenuli smo protiv cajki u đihad auto cesta,bosna,prva postaja bihač... NASILJEM PROTIV CAJKI!! |
06.12.2007., četvrtak
about Rexxx
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njegov citat: ...I'm 25 year old d.j. from the town of Split, Croatia...Music has been around me ever since I was only a little kid...My late mother (God bless her soul - I love you), always played some LP-s on her prehistoric turntable, and she would grab my hand and started dancin' around with me...memories... Now...some 20 years later, I have found my purpose...2 stand behind the decks...and make U move... And it all started in the "old school" club that is now closed, the legendary "Up And Down", where I heard my first electronic beats, through the happenings in the Metropolis, numerous private parties & afterparties, where I picked up all sorts of impressions about the music, and the great vibe that surrounds it...The feeling is just great!!! ...currently I'm a resident d.j. @ Ghetto Club in Split (One Love), where I play every saturday night... Partyin', bangin', goin' round & round with 100% love for the music brought extra creativity that could only be released through producing... I've produced some hip-hop tracks with Dhirtee 3 Rats (Phlaggma & Skill - one of hip-hop pioneers from the town of Split), and St!llness (another hip-hop legends from Split) - Respekt 4 y'all!!! Currently I produce hip-hop (few demo albums with local mc's) & electro... I play on a pair of Pioneer CDJ's, but of course, with the human nature of always aiming for something better, I plan on buying some more equipment as soon as possible (it all depends on my paycheck - gotta keep on workin' 2 keep on jammin')... http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=161080365 |
22.11.2007., četvrtak
...bacc again...
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bacc again je zato šta san malo zapustia ovo,pa evo još nešto od mene šta nećete pronać na mojim konkurentima kumuna blog nisu oni toliko u igri koliko sam ja...pa zaigrajmo ''covjece ne ljuti se'' ili ''domino'' hehe a sad spika o onome sta san i tia GRBA CREW hip-hop Godina osnutka: 2001 Zemlja: Croatia Grad: Zadar opis (citat) : Bilo jednom davno u dalekoj galaksiji, na planetu Grba. 5-6 mladica okupilo se snimajući svakojake budalaštine (reklame, emisije,pisme i ostala, da prostiš, sranja). U početku se snimalo sa 2 kazića, al ubrzo smo uspili dobaviti nekakav kompić, na kojem smo počeli malo ozbiljnije snimat skladbe komičnog karaktera (iliti ga sprdačine). I eto nas tako danas na ovoj stranici, širom otvorenih vrata za sve mladiće i djevojke zainteresiranih za naše maštovito stvaralaštvo. A e ! Zdravi i pijani bili !!!!!! P E A C E !!!!!! grba crew 28 - site na ovom linku imate cut par njihovih stvari |
07.11.2007., srijeda
ahoj ljudi nova stvar,nije nova al je nova...
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dosta vam je zivota,dosta vam je dosadnih prijatelja,ljudi koji vas okruzuju,dosta vam je myspacea zbog spamova,sexy cura koji su zapravo muskarci isl. zelite li se okusati u necem novo,posebnom,upoznajes nove ljude,zabavljas se a usto zaradjujes...kopiraj link i zalipi ga u adress bar http://r.yuwie.com/x-thug ako nevirujete poslusajte bar sta ovaj tip na pocetku prica + jos nesto, nemorate virovat zabavi al bar more bit nesto ka myspace iz zabave ili dosade jedan dan kad van bude dosadno kopirajte link ka sta san reka stisnite sajn ap i skupljajte frendove isl.. |
21.10.2007., nedjelja
klik klik klik klik
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klikni i ti ovaj link http://s1.ba.darkpirates.org/c.php?uid=31124 |
06.10.2007., subota
C-Murder
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27.09.2007., četvrtak
Sage Francis
 bio: Darkness and light, anger and serenity, tragedy and comedy - these extremes are contained in Sage Francis, and they provide the foundation for Human the Death Dance, his best album to date. From the moment its curtains open to their drawing closed, Sage's fourth solo album (and his second for Epitaph) evokes the arc of its maker's lifespan - literally spanning the decades from his first recordings as an eight year-old rapper (captured on opener "Growing Pains") to the stark contemplation of his darkest days (on the subtly affecting closer, "Going Back to Rehab"). Between those two poles, Sage proves he's not just a rapper, nor just a spoken-word artist - he's the best lyricist of his generation. Providence, Rhode Island's Sage Francis first captured the underground consciousness with a furious tape-only release, Homegrown Demo (1996), and then achieved renown as the country's best freestyle rapper by winning 1999's Superbowl Battle and 2000's Scribble Jam title. Sage won the second of those crowns wearing a Metallica T-shirt, hinting at his utter refusal to abide by hip-hop's orthodoxies, underground or otherwise. In fact, if there's an overriding theme to his career, it is this: where conformity ends, Sage Francis begins. After retiring from the battle scene, Sage drove his distinctiveness home on his first official release, 2002's Personal Journals, a pioneering manifesto for the poetically introspective style that has come to dominate underground rap. Where that record showcased his facility with epic storytelling, 2003's Hope was its polar opposite, a joyous affirmation of Sage's love for the Golden Era (late '80s-early '90s) rhyme schemes and bite-size boasts and barbs. Released under the name Non-Prophets, Hope offered not just a revival of the old-school idiom, but a virtual channeling of the energies that gave birth to hip-hop itself. If Personal Journals was his diary-as-manifesto, and Hope his ode to rap's golden era, then 2005's A Healthy Distrust (Epitaph) was his album-long screed against the state of the world, a stinging denunciation of corporate greed, Bush II's war-mongering ways, and, most importantly, America's collective complacency. On that album, Sage was an activist in the purest sense of the term - a person whose words and deeds inspire others to effect positive change at every level: personally, locally, and globally. That's the guiding ethos behind the web-based community he co-helms at www.knowmore.org, which chronicles corporate attacks against democracy, human rights, and the environment. On A Healthy Distrust, Sage was every bit the angry young man, his voice hurtling through the sound mix like a runaway train. What's initially shocking about Human the Death Dance, then, is just how relaxed the rapper often sounds - never complacent, but possessed of an understated confidence that reminds us we are in the hands of a master. That poise is all the more surprising when fused with this album's finely-wrought poetics, which document two of the toughest years of Sage Francis' life. Over that span, the rapper's spent 14-plus touring the world (from North American to Europe all the way to Asia and Australia), been victimized by burglars while on holiday in Amsterdam, robbed twice in the same week while touring the UK, and lived through the painful break-up of a relationship he once figured would last a lifetime. If A Healthy Distrust presented the battle of Sage-against-the-world, Human the Death Dance is a document of Sage battling himself - airing out the trials, the misdeeds, and the hopes of the only person he can really trust: himself. HTDD is an album in two halves, harking back to the two-sided LP classics of yore. The first section is loose and playful, the work of a microphone controller at the top of his form. On tracks like "Civil Obedience" and "Midgets and Giants", we witness Sage in full flight, calling out corporate whores and industry fakers with the kind of virtuoso flows few other rappers can match. The centerpiece is "Got Up This Morning", a smoky back-room blues number featuring the smouldering vocals of Jolie Holland and a relaxed honkytonk beat from Sage's old friend Buck 65. "Clickety Clack" also stands out as a first-half highlight; written in the hours after he was robbed in Amsterdam, this is Sage's revenge fantasy, a darkly baroque account of vigilante justice, and a stinging parody of the mindless thug-rap clogging our airwaves. The song suite which makes up HTDD's second half is simply devastating, a mini break-up record rooted in Sage's darkest days but suffused with the kind of clear-headed lyrical wisdom that comes around only once a generation. The four best songs of Sage's career are found here, starting with "Keep Moving", which is as mature and respectful a break-up song as you will ever hear. Then there's "Waterline", which evokes the spectre of Hurricane Katrina and its terrible aftermath; "Waterline" is also notable as one of two pieces on the album (the other is "Good Fashion") drawn from the forthcoming soundtrack of director Gavin O'Connor's Pride song: Sea Lion written by: Sage Francis album: A Healthy Distrust label: Epitaph Records ma. ma--look what i did, ma. look what i did to my hands. i broke 'em. you gave me the stone, gave me the chisel, didn't say how to hold 'em. didn't say to give away every piece of the puzzle 'til i was left with nothin' but i took it upon myself to crush it up and distribute the dust. get in the bus. hop in the van. jump in the water. crawl to the land. build another castle out of the sand. break it down and then get into the saddle again. i'm going city to city--i'm already lost. tell the boss who is new in town. i'mma ride this horse 'til it bucks me off and i'm forced to shoot it down. i'mma take him out for some gasoline. i'mma trade this cow for some magic beans. i'mma make mom proud of the deals that i made 'cause i'm just a modern day johnny appleseed. but i'm glad that i never passed the genes and i never put down the axe. piano man got a checkered dance floor to grace and a painful look on his face. 'cause the crowd is packed and the louder they clap the less he is able to make the connection between what he sees when he heres certain notes and the hurt that is shown in his facial expression. i don't need your go ahead to go ahead. no, i know no one said it was gonna be easy, but sweet jesus, who wants to sleep with me? way too many moves to learn. but not enough people to put 'em on. look it, mom! no hands. i built this suit of armor with wooden arms. |
24.09.2007., ponedjeljak
WARNING!! explicit lyrics
pa pička van materina pobit ću vas sve majke mi,ako doznan ko mi je ovo napravia ubit ću ga glavu ću mu otkinit,ajmeeeeeeee    bolje je nek mi se status popravi il ce bit mrtvih...ko me optuzia da spamam sad nemogu nikome nista komentirat...popravite to!!!il ce bit svasta |
21.09.2007., petak
...zagreb ima ''najjaću'' scenu...
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i kako je sve to počelo...prva petorka...sad ovo šta je...e da usput da kažen sad će izać mixtape prva petorka,valjda znate koji su to...koštat će 30 kn...sad da se vratimo...dakle scena izgleda danas kako izgleda i to sve zahvaljujući prvoj petorki,dali se ikad zapitate kakva bi scena bila da oni to nisu počeli??al nea veze to sad nije bitno,bitna je ova današnja bahata mularija koja nema rispekta prima nikom i ničem...skuliraj se dite...koji beefovi koji dissevi,jbt nije ovo amerika pa da ima 300 repera po svakom selu/gradu/naselju...i ovo malo šta nas ima je u svađi svak sa svakin i to iz nekih gluparija,al nea veze izgubia san misao i zaboravia reć šta san tia pa san reka samo ovo,ajte cujemo se...peace out eo jedna strava stvar |
12.09.2007., srijeda
...derem se i razglasavam na sva zvona da za mene je vazna samo ona...
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kasna je ura dosadno,pa se evo javljan...ljudi sta spavate,nebi da morate u skolu sutra...haha...moji na ex pa ja nean nastave...e da ne zaboravin u subotu u gothama hip-hop party...ajd ljudi cujemo se spavajte |
09.09.2007., nedjelja
"One More Road To Cross" i "Party Up"
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"One More Road To Cross" [DMX] Uhh.. this is life (this is life) This is what I know (this what I know) So to me (so to me) this is life (this is life) Chorus: DMX (repeat 2X) One more road to cross One more risk to take Gotta live my life like there's one more move to make [DMX] I'm up at like 6 AM, to check this nigga He work the nightshift, and I gots to check them figures Knock on his door, peoples talkin bout, "He ain't there," but the house is packed, shit I know he here somewhere See money get high, I don't knock what a nigga do to get by Just make sure you gettin by don't FUCK with you gettin mine Ain't the first time he ran off, shoulda split his shit then Hate to think of what he's did and if I catch him slippin won't be an ass-whippin, I can tell you that I keep it real with this cat, he go and sell two packs and run off (damn) tell me, he was locked down, up North and you out a week later? That's bullshit! I bust off, I need this dough Fuck you think I'm here for my health? I need this wealth, because I feed myself You play with my life, when you play with my money Playin around but this'll be the last time you think somethin's funny Chorus [DMX] Yo, I've been casin the liquor store, for a month now with me and two other niggaz, is about to run up in there and shut it down I got four people on the inside, one stay in the back Two stock boys, one at the register but he count the stacks Aight bitch, put on the ski mask, make sure that when we ask for the dough they know that we takin all three bags Now see that? You gotta hear em shoot that nigga Matter of fact, you hit the back, I'll put two in that nigga Hardhead motherfuckers always get it I told him what would happen if he moved the nigga moved so I did it Did you get it? I asked my man as he was comin from the back Nigga opened his mouth said nothin and fell out flat This cat come out spittin, hittin my mans, his mans Couldn't control what was in his hands I'm hit, damn! I bust back, and got the fuck up out of there Didn't get a dime, but at least I got up out of there Chorus [DMX] Aiyyo I see it, try to avoid it, but it comes That's how it's goin in the slums over crumbs Somethin little becomes somethin major Niggaz gettin blown up like a pager Ear to ear with the razor, pour out my soul Took control of hurt, why must Earl Simmons, swim in dirt? I'm gon' make it work, twenty-eight and tryin to get, baptized Priest cannot touch me cause he said I gave him bad vibes Ryde, when I Die, straight down, but I'm plottin We all gots to go but who wants to be forgotten? I'ma leave a mark, and it won't be the mark of the devil Throw dirt and may your hands burn when you touch the shovel The level of animosity is stoppin me from thrivin FUCK what them niggaz is talkin about, I'm survivin Alive and goin through it, but I made my bed So now it's in these flames that I, lay my head Chorus 2X Party up Uhh.. UH! .. WHOO! Chorus: DMX Y'all gon' make me lose my mind up in HERE, up in here Y'all gon' make me go all out up in here, up in here Y'all gon' make me act a FOOL up in HERE, up in here Y'all gon' make me lose my cool up in here, up in here [DMX] If I gotsta bring it to you cowards then it's gonna be quick, aight All your mens up in the jail before, suck my dick and all them other cats you run with, get done with, dumb quick How the fuck you gonna cross the dog with some bum shit? Aight There go the gun click, nine one one shit All over some dumb shit, ain't that some shit Y'all niggaz remind me of a strip club, cause everytime you come around, it's like (what) I just gotta get my dick sucked And I don't know who the fuck you think you talkin to but I'm not him, aight slim? So watch what you do Or you gon' find yourself, buried next to someone else and we all thought you loved yourself But that couldn't have been the issue, or maybe they just sayin that, now cause they miss you Shit a nigga tried to diss you That's why you layin on your back, lookin at the roof of the church Preacher tellin the truth and it hurts Chorus [DMX] Off the chain I leave niggaz soft in the brain cause niggaz still want the fame, off the name First of all, you ain't rapped long enough to be fuckin with me and you, you ain't strong enough So whatever it is you puffin on that got you think that you Superman I got the Kryptonite, should I smack him with my dick and the mic? Y'all niggaz is characters, not even good actors What's gon' be the outcome? Hmm, let's add up all the factors You wack, you're twisted, your girl's a hoe You're broke, the kid ain't yours, and e'rybody know Your old man say you stupid, you be like, "So? I love my baby mother, I never let her go" I'm tired of weak ass niggaz whinin over puss that don't belong to them, fuck is wrong with them? They fuck it up for real niggaz like my mans and them who get it on on the strength of the hands with them, MAN Chorus [DMX] I bring down rains so heavy it curse the head No more talkin - put him in the dirt instead You keep walin - lest you tryin to end up red Cause if I end up fed, y'all end up dead Cause youse a soft type nigga Fake up North type nigga Puss like a soft white nigga Dog is a dog, blood's thicker than water We done been through the mud and we quicker to slaughter The bigger the order, the more guns we brought out We run up in there, e'rybody come out, don't nobody run out Sun in to sun out, I'ma keep the gun out Nigga runnin his mouth? I'ma blow his lung out Listen, yo' ass is about to be missin You know who gon' find you? (Who?) Some old man fishin Grandma wishin your soul's at rest but it's hard to digest with the size of the hole in your chest Chorus [DMX] Hold up! ERRRRRRRR! One.. two.. meet me outside meet me outside, meet me outside All my Ruff Ry-DERS gon' meet me outside meet me outside, meet me outside All my big ball-ERS gon' meet me outside meet me outside, meet me outside All my fly lad-IES gon' meet me outside meet me outside, meet me outside All my street street peoples meet me outside meet me outside, outside motherfucker X is got y'all bouncin again Bouncin again, bounce-bouncin again Dark Man X got ya bouncin again Bouncin again, bounce-bouncin again Swizz Beatz got y'all bouncin again Bouncin again, bounce-bouncin again (Swizz Beatz) Ruff Ryders got y'all bouncin again (DMX) Bouncin again, bounce-bouncin again Dark Man keep you bouncin again Bouncin again, bounce-bouncin again Dark Man keep you bouncin again Bouncin again, bounce-bouncin again All my streets they bouncin again Bouncin again, we're bouncin again Swizz Swizz Beatz we bouncin again Bouncin again and we bouncin again Double R keep it comin, ain't nuttin y'all Ain't nuttin y'all can do, now.. {*BOOM*} "For My Dogs" |
06.09.2007., četvrtak
alter ego jam - trogir
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šta reć pogledajte video...to je sve...samo san to ima postat i to san i posta...peace kome se nesviđa ovaj video nek slobodno odjebe il nek sam odradi bolje pa da nek onda sere |
19.08.2007., nedjelja
Tram 11
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Tram 11 (trem ilevn) je Hrvatska rap grupa osnovana 1996 u Zagrebu. Grupu su osnovali Nenad Šimun a.k.a Target i Srđan Čuk a.k.a General Woo. U to doba Hrvatska nije imala pravih rappera dok se oni nisu pojavili kao jedni od izvođača ˝Blackout Project-a˝ - projekt kojeg je započela radio stanica ˝Radio 101˝ kao program promoviranja Hip-hop-a i rap-a u Hrvatskoj - Oni su napravili predobru pismu ˝Hrvatski Velikani˝ i bili su prvi na neslužbenoj. Album ˝Čovjeće Ne Ljuti Se˝ je izdan 1999. Dobio je dobre ocjene od Hrvatskih kritičara i bio je jako popularan, pisma ˝Kužiš Spiku˝ je˝ također izdana na kompilaciji ˝The Best Of International Hip-Hop˝. Ta činjenica dokazuje kako je Tram 11 jedna od najutjecajnijih i modernijig grupa u Hrvatskoj. General Woo: Pravo ime Srdjan Cuk . Rodjen 17.11.1977. u Vukovaru. Muzickom karijerom pocinje se baviti 1997 god. mada na hip-hop sceni djeluje od 1994 god. Prvi put javno se pojavljuje na pjesmi «one 0 one» kao podrska Radiju 101 1996 god. Pionir je hrvatske hip-hop scene te ga kao takvog slusa siri krug publike sto dokazuju i tiraze njegovih albuma. Album "Krv nije voda" njegov je 6. studijski album. Prethodili su mu albumi COVJECE NE LJUTI SE, VRUCINA GRADSKOG ASFALTA i TAJNA CRNE KUTIJE koje je izdao kao clan legendarnog hip-hop dvojca TRAM 11. Zatim, samostalni album «GENERAL WOO - TAKOZVANI» te posljednji BAS JE LIJEP OVAJ SVIJET u suradnji s hip hop izvodjacem Nered-om. Takodje je tokom karijere ostvario brojne vokalne saradnje sa mnogim muzickim imenima poput grupe Divas, Prljavo Kazaliste, Blackout project, Bolesna Braca, Edo majka, El de Sensei i dr. Neke od poznatijih pjesama sa tih albuma su: Hrvatski Velikani, Kaj ima lima, Pad sistema, Vrucina gradskog asfalta, Samo kod nas, Jedno, S tobom ne znam, MC to the fullest, Bon apetit i dr. Svi albumi bili su popraceni live turnejama po Hrvatskoj, Sloveniji, BiH, Srbiji, Njemackoj, Svajcerskoj i Austriji. Prosle godine u sklopu turneje Bas je lijep ovaj svijet odrzano je 35 live koncerata sirom Hrvatske, BIH i Slovenije. Neke od pjesama s spomenutog posljednjeg albuma koristene su u prvoj hrvatskoj kriminalistickoj seriji BALKAN INC. u kojoj General Woo tumaci jednu od uloga uz afirmirane glumce poput A. Cvjetkovica, M. Nadarevica, N. Ivankovic i dr. Potvrda glazbenom radu generala Woo-a svakako je i nagrada «Crni macak» za najbolji hip-hop album 2000. godine. Novi album Krv nije voda sadrzavat ce 13 pjesama izasao je 2006. u izdanju Croatia Recordsa. Na albumu gostuju poznati izvodjaci kao sto su Edo Majka, Nered, Sasa iz TBF-a i Pro. Target: ˝Ja sam 28 godina star rapper iz Vrapća, ZGB, CRO. Pridružio sam se Hip-hop-u kad je Hammer izašao i kad su ga sve radio stanice puštale, Vanilla Ice, Snap i C&C bio sam bio sam upoznat sa grupama kao đšta su N.W.A , P.E., live Crew, BDP, Ice-T etc. Tako sam u osnovnoj školi bia jedini koji je sluša rap,a u 8-om,tokom rata, taj leek je doša u moj razred i volia je rap pa smo malo pričali o BDK-u , Rakim-u i taj leek iz D raz. je imao YO!MTVraps majcu. Moja prva rap grupa bila je N.I.B. u srednjoj sam upozna Psycho DJ Samurai i osnovali smo Scratch Brothers i započeli snimanje muzike. Bilo je tu mnogo druge dice koja je slušala rap ...(neda mi se više prevodit)guedering on the head square, n at one party at this pool club we formed Young Lordz cos' we heard that one dude ripped the club, and Wumah (who was the best rapper then), by doin' I think MacFu impressionation. YLz were dope! They started playing our songs on Rapattack, Radio101, we had our first show at Radio1 club, and there I won the first croatian freestyle show act by rappin' on our mother language not english. We put our "Wake up!" demo out and then we broke up, I wasnt with going on tv. I started doin solo joints fuckin around with boys from daBasemental n I met Mad Woo Skillah from Chordbustas, who also break up, when we went to see Naughty in Ljubljana. We formed Tram11, got our chance to rap on Blackout project Impossible. Hrvatski velikani was our single off of it n we made a video apperance, daaamn! Then Menart, not the man, Menart picked us up and the rest is history. I like bball, food, black flicks and black music dough!" Tram 11 doesn't exists anymore today but General Woo and Target put out their solo albums with not much success.But until today they will remain as the first and only rap band that made a big mark on Croatian rap scene. Hrvatski Velikani Vručina Gradskog Asfalta Pad Sistema ode je pad sistema pravi spot ali nije od početka jbg peace...od mene...šteta šta su se raspali... |
14.08.2007., utorak
Sinestet pt. 3 (Alejuandro,Yuri,Scriptor)
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ALEJUANDRO BUENDIJA Kao bebu pronašao ga je u kanalu za navodnjavanje svojih plantaža marimahune, njegov poočim Fernardo Garcia Buendija, umirovljeni pukovnik, krvnik vojne hunte Edmunda II Osakaćenog. Preživljava grickajući stabljike i sišući cvijetove biljaka u cvatu, zbog cega mu odmah i daju nadimak Cvitko. Odrasta omiljen I pažen, igra se u djevičanskoj prirodi, cvrkuće sa ptičicama, trlja pijesak u slijepoočnice, trčkara medju kolibama roblja sa plantaže, druži se sa malim robovima, koji su u njega usadili ljubav prema ping pongu, kolačima od blata I afričkim sentišima. Nakon što s nepunih 11, u znanstvenom zanosu, slučajno pretvori svog osobnog učitelja Miodraga u papu Ratzingera, roditelji ga šalju u strogi islandski internat, gdje studira preživljavanje u pustinjskim uvjetima, jedući sladoled od motornog ulja, karamele od devine pljuvačke, i med na gradele. U slobodno vrijeme pljuca trešnjine košpice u dub, te kao jedini natjecatelj u toj disciplini, osvaja srebrnu medalju na Olimpijadi izmišljenih sportova, 1988 u Kljacima. . Medjutim, medalja mu je kasnije oduzeta, zbog korištenja nedozvoljenih sredstava, malih padobrančića na košpicama, pomocu kojih se stvara privid vece dubine pada iste. Nakon toga, razočara se u svijet i ljude, te odlazi u Sibir, gdje pušta brkove, svira ukulele, i promatra horizont u vunenim priglavcima. Od ptičice sazna da je u jednoj od rupa koju je iskopao za pljucanje trešnjine košpe u dub,pronadjen izvor dilitija, vraća se u civilizaciji, i u partnerstvu sa vlasnikom terena, bavi se prodajom mesa, lakova, i bling bling dijamanata. Pametno ulažući u dionice gubi sve šta ima, al ipak se vraća u okrutni svijet farmacije, testirajući na sebi eksperimantalne lijekove, Zaboravin i Nerazumin, koje je izumio njegov školski prijatelj dr. Mimoza. Od tada vegetira i radi na sebi, odnosno, bavi se poljoprivredom. YURI Sve je počelo negdje krajem '98. Yuri (ex Brain) i Papi (sada vec bivši član) upoznali su se u splitskoj gimnaziji i osnovali tvrdi hip-hop dvojac ST!llness. Svoj prvi underground singl „Fala “ izbacili su početkom 2000. godine. Pjesma je odlično prošla kod ljubitelja domaćeg hip-hopa i odmah je pokazala da se ST!llness neće baviti pre-seravanjima / pucavanjima. Produkciju za tu pjesmu napravio je Shot (Elemental) te na taj način i pridonio samoj „popularizaciji “ pjesme. Nedugo zatim snimljena je i „Zar se ovo život zove“. Ta pjesma je poznata kao prva u Hrvata sa tematikom sindroma narodnjaka pri čemu su korišteni prvi „semplovi“ takve vrste . Nakon tih dviju stvari slijedi rad u „kućnim studijima “ te izbacivanje još par underground stvari. 2003. nakon izlaska splitske kompilacije „devaSTacija “ (koja je izašla uglavnom Yurijevom inicijativom i radom) Papi se povlači iz glazbe i u ST!llnessu ostaje samo Yuri. Ime se ne mijenja jer ono nije samo ime već i postavljena ideja. Dakle pod istim imenom Yuri nastavlja rad, doduše sa malo izmjenjenim stilom glazbe. ST!llness tekstovi ostali su i dalje žestoki i angažirani, ali uz zadnje vrijeme uz hip-hop tu je i doza reggae-a, ragge, dancehalla i drugih afričkih utjecaja. 2007. izlazi ST!llness album prvijenac za Menart records. ST!llness ili zašto ST!llness Odma upozoravam SVE da ovaj tekst NISTE OBAVEZNI ČITAT! Ako ne odustanete nakog ovog pasusa NEMOJTE NI DO KRAJA. Nemojte da vas zbuni uporaba velikih i malih slova i znajte da sve šta je napisano na određen način, tako je tribalo bit. Guštajte............. Masu ljudi me pitalo: «Zašto STILLNESS? » ili «Jel ti to STILLNESS ili ES-TE-ILLNESS? » Drago mi je da to ime izaziva zanimanje jer mi je to bio i cilj. Evo odgovora.... ...... OBOJE....... Kada uzmete rječnik i potražite značenje riječi STILLNESS dobijete odgovor: «Mirnoća, apsolutna ravnoteža, stanje blaženstva poput Nirvane, HARMONIJA.... » Da, točno je! Sve to! ALI......... Do tog stanja se ne dolazi «klasičnim» putem. Upravo suprotno. I jako paradoksalno. Da bi to skužili triba skužit ovo drugo: «ES-TE-ILLNESS». ST-ILLNESS je kronična, zarazna, neizlječiva splitska bolest. Čuli ste za splitski DIŠPET. E pa to van je to. U nekom smislu. Naime, dišpet funkcionira i pojavljuje se na principu stanja maksimalnog nezadovoljstva i frustriranosti stanjem u okolini «dišpetiranog» subjekta / objekta. S tim da onda subjekt / objekt iz dišpeta DJELUJE U POZITIVNOM SMJERU, u svrhu svog i općeg dobra tj. uklanjanja negativnosti i izvora nervoze i frustracija. To je pozitivna strana bolesti.Negativne nuspojave su slijedeće..... Zbog prevelike doze frustriranosti i negativnosti dišpet je promjenio smjer. Danas se iz dišpeta ulazi u stanje maksimalne pasivnosti. Ljudi misle da je kasno, da je BORBA uzaludna. Tako da umisto borbe radije idu u kafiće ili na zidiće i «piju pive bez perspektive... ». Ili se dogodi da se «zidaju» dišpeti na dišpete pa dobijete 4 velika zida oko sebe, a dišpet ostane SAMO JOŠ JEDNA CIGLA U ZIDU. Sad se moram vratit na početak. ST!llness jest HARMONIJA... i sve ostalo nabrojeno u rječniku. To je harmonija dišpeta, pasive, aktive.... Svega ... Svega u mom gradu. Jer unatoč frustracijama, sranjima i svemu Moj Grad PREŽIVI. Uvik! I ne samo da preživi, već i gušta u tome. Gušta u grintanju, prvi skuži sranje, digne glas, ali prvi se i uspava nakon svega. Niko ništa ne radi, a svako ima kombinaciju za nešto koja bi ( u NEKIM «BOLJIM UVJETIMA» ) 100 % upalila. Pa zašto SVAKI RADNI DAN kad je sunce bar 1000 ljudi na Rivi pije kavu ( I ODAKLE IM NOVCI ), puše lipe cigare ( I ODAKLE IM NOVCI ) i još bar 1000 ih bezbrižno šetucka ( ODAKLE IM TOLIKA NEBRIGA )???? Uostalom poslušajte TBF — ST STANJE UMA ili ŽIVOT JE LIJEP. To su najbliže definicije ST!llness-a. Biće ih još «BLIŽIH» - iz prve ruke... čim izade prvi ST!llness... .....do tad....STOJTE MI DOBRO, ZDRAVO I U MIRU....VIRUJTE U BOLJE SUTRA....... ST!llness VAS VOLI....SVE.... MIR ! SCRIPTOR Dobra večer, Moje ime glasi ScriptoR što je u rječniku latinskog jezika definirano kao pisar, tajnik, sekretar i pisac. Ništa od navedenog ne opisuje moje zanimanje ili sl. već jednostavno dobro zvuči i djelomično pokriva elemente mojeg stvaralačkog hobija. Volim pismeno izražavanje i koristim ga vrlo često, a između ostalog primjenjujem u stvaranju glazbenih uradaka. Rep tehniku koristim kao način izražavanja koji volim i poštujem, a nastojim ga kroz dobru zabavu oblikovati u ostvarenje dostojno pohvala kompetentnih slušatelja. Surađujem isključivo s prijateljima, odnosno onima koje smatram takvima, poznanicima koje poštujem, kojekakvim spodobama koje mi se iz razno raznih razloga učine zanimljivima te onima koji nisu pozvani, ali se nekim čudom nadu na stvari. Iza tih opisa bi se trebali pronaći Kurvin Sin, Kronik, Susich, D-Lussional, Bayal, Rapo, Rahel, Nod Funk, Valar, Peta, Ropezz, Inkognito Popara, Frenkie i još neki ako sam ih zaboravio. Produkcijsku potporu su mi pružili moj prijatelj Marvel, Peta, Kurvin Sin, Inferno i Sett za novce.Bio sam clan H2O tima, s Kronikom tvorio dvojac Kava s mlijekom i caša (obicne) vode, na Bayalovu inicijativu ili bolje receno zapovijed s nekolicinom usputnih nesretnika bio klasificiran pod ime UDBA; s istom momčadi (Bayal, Peta, Ropezz, Valar i ScriptoR) tvorim simpatičnu petorku jednostavnog naziva «Nas Pet» čiji će projekt uskoro ugledati svjetlo mraka. Pristupam Sinestet obitelji kao prijatelj, kolega i suradnik na poziv Panoptika. Studijsko iskustvo mi se svodi na nekoliko kućnih improvizacija i Andrei Music laboratorij iz kojeg su uz pomoć Andreja izašla sva ostvarenja u posljednje dvije godine. Iskustvo nastupanja uživo mi se svodi na ništa vrijedno spomena, uglavnom zato što smatram da stanje hrvatske klupske scene, publike, organizacije evenata itd. nije na nivou za ostvarenje nečega što bi se trebalo spomenuti. Mnogi me smatraju skeptikom, mizantropom, introvertiranim kritičarem svega što postoji itd., a oni drugi prosjecnim, pametnim i zabavnim covjekom. Sve ovisi o percepciji pojedinaca. Meni je svejedno, a vi prijatelji, slušajte što želite, radite što želite i pustite druge da rade što žele. Scr WWW.SINESTET.COM |
08.08.2007., srijeda
Sinestet pt.2 (Magellano,Popara,Albumi)
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MAGELLANO Magellano a.k.a. Panoptik ( a.k.a. Profesor Toljaga, Ivano Kaotik, Scarhand, Svevid Kolokretski, Kaos-Lom Magelli, Ewon Wolf, Gecko Samson, Juan López, Doug Doppler, Hector McCoy, Rap Charles etc )…pravim imenom Ivan Vuković…rođen 13.07.1981., u Zagrebu…ozbiljno počeo slušat Rap u srednjoj…u drugom, trećem razredu počeo pisat prve repove…odlučio bit najbolji slušajući Black Trump od Cocoa Brovaza i Raekwona na noćnom povratku busom s maturalca iz Grčke…nastavio pisat repove…počeo repat repove…nazvao DJ Olli Dobolija i dobio broj od Shota…nazvao Shota…snimio prve tri stvari na njegove beatove…upoznao noćnoptičnog cara Inkognita Poparu…roknuo Noćnu trologiju s njim…formirali Doppler Efekt…snimili hrpu bolesnih stvari objedinjenih na duplom disku Majstori Mračnih Misli…upisao studij engleskog i španjolskog jezika i književnosti na Filozofskom Fakultetu u Zagrebu…nastavio pisat i repat repove…upoznao AC3POa….formirali Sinestet…osvojio par battle turnira u doba 8milea…prvi solo album „Uglazbljeni Snovi I Druge Bolesnoće“…roknuo Ponovno Čovjek EP u sa svojim bratom od druge majke, Theron Tourettom…roknuo Pegaz s bratom Tripijem…drugi solo album „Fantastična Igra Zrcalima“…roknuo „Noćnoptične“ sa bratom Poparom…nastavio pisat i repat repove... INKOGNITO POPARA Gordan Radočaj, poznatiji kao Ink, jedan je od pionira hrvatskog hip-hopa. Prvi put se kao samostalni MC predstavio široj hip-hop publici još 1998. na Twinz Entertainment Mixtapeu, jednom od prvih mixtapeova uopće u Hrvata, iako je svoj rad započeo još puno prije na nikad objavljenom projektu radnog naziva „Basemental“, gdje je, zajedno sa nekolicinom velikana hrvatskog hip-hopa ( Neredom, Mista Hornom, Shotom i dr...) napravio duet stvar „Jednom Stvari Kada Krenu“ sa Delirijum Tremensom. Nakon toga, sa svojim tadašnjim kolegama, osniva „Elemental“, trio grupu sa kojom kasnije izdaje dva studijska albuma: „Moj, Njegov I Njen Svijet“ ( 2000.) i „Tempo Velegrada – Demiurg“ ( 2002.). Još za rada na drugom „Elemental“ albumu uzima ime Inkognito Popara te 2001. osniva i započinje svoj paralelni, nezavisni, underground projekt, duet po imenu „Doppler Efekt“ sa svojim prijateljem, vrlo talentiranim debitantom Ivanom Vukovićem, tada znanim kao Špica Magellano, danas poznatijim kao Panoptik. Vrlo uspješna „doppler-efektivna“ suradnja rezultirala je mnogobrojnim underground studijskim uratcima, nosačima zvuka, te mnogobrojnim gostovanjima, koncertima i suradnjama. Ubrzo nakon širenja „doppler manije“ Inkognito Popara prekida svaki svoj angažman u svojoj matičnoj grupi „Elemental“ i u potpunosti se posvećuje radu sa Panoptikom i svojoj solo karijeri. Do sada je gostovao na svim hrvatskim hip-hop kompilacijama. Surađivao je sa gotovo svim značajnijim izvodačima i producentima hrvatskog hip-hopa, kao i sa gotovo svim značajnijim underground izvodačima. Vokalno se pojavljuje i na albumu grupe „Tram 11“ – „Vrućina Gradskog Asfalta“ ( 2000.), kao i na kasnijem albumu „Tajna Crne Kutije“ ( 2003.). Vrlo je poznat i po svojoj izvrsnoj sposobnosti „bacanja“ rima iz glave na licu mjesta, tzv. freestajlanju ( slobodnom stilu ). Da rezimiramo, Inkognito Popara je majstor mračnih misli sa nenadjebivim vokalnim sposobnostima, izvrsnim i rijetkim darom freestajlanja, dugim, velikim iskustvom i debelim renomeom, a jos dužom, većom i debljom kitom i neiscrpnim kapacitetom za rokanje stvari, fristajla, štikli i konjaka.... kao takav je punopravi član SINESTET ekipe. 2007. izbacuje svoj solo album prvijenac, pod nazivom “Skandalozno”. Albumi(sinestetovaca): Doppler Efekt: -Majstori Mračnih Misli (2003) -Noćnoptični (2006) Ivan Vuković - Uglazbljeni Snovi i Druge Bolesnoće AC3PO - Audio Aerosoul (2003) Ac3PO & Marvel - Doppler Efekt RMXs (2004) Magellano & Theron Thourett - Ponovo Čovjek Sinestet - Izgubljeni Beatovi (2005) Sinestet - Neobjavljeno i Obnovljeno `05 Panoptik & AC3PO - Pegaz (2005) AC3PO - Avanture Mladog Tripia (2005) Ivan Vuković - Fantastična Igra Zrcalima (2006) Scriptor - Izgubljene Suradnje Sinestet - Neobjavljeno i Obnovljeno `06 Magellano - Obračanje Narodu EP (2006) Inkognito Popara - Skandalozno (2007) Art Hop Videos (2007) A. Buendija - Pepermint (2007) AC3PO - Svi Ti Brejkovi 1 Scriptor - Solo Stvari EP www.sinestet.com |
07.08.2007., utorak
Sinestet pt. 1 / D.E. Doživotno
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dakle malo o biografijama izvodjaca sinestetovaca...inace sve podatke skidam sa www.sinestet.com DOPPLER EFEKT Zagrebačka je Hiphop grupa DOPPLER EFEKT osnovana 2001.g., a njeni su članovi mc-ji INKOGNITO POPARA ( Gordan Radočaj ) i MAGELLANO a.k.a. PANOPTIK ( Ivan Vuković ). Njih su se dvoje upoznali 2000.g. Popara je u to vrijeme bio član grupe Elemental, a Panoptik je pod imenom Špica Magellano snimio tri demo stvari na Shotovu produkciju ( redom : Nema Boljeg, Kaos, Tok Misli ). Nakon toga obojica su željela snimiti stvar sa gostovanjem onog drugog, čekajući da dođe pravo vrijeme za to. Magellano je zamislio pjesmu Noćna Vožnja, a Popara, u isto vrijeme, odvojeno, pjesmu Noćna Ptica. Tako su prvo snimili Noćnu Vožnju i to je prva D.E. pjesma ikad snimljena. U to vrijeme naziv Doppler Efekt još nije ni postojao. Nakon što su snimili Noćnu Pticu ( koja je objavljena na Elemental albumu Tempo Velegrada ), dok su chillali uz gicu netom nakon snimanja u dvorištu ispred Malekovog studija, Popara i Magellano su došli na ideju da snime i treću „noćnu“ stvar i tako naprave zaokruženu trologiju. Popara je počeo pjevati izmijenjen refren Noćne Ptice i tako je nastala Noćna Gica. Tada je spomenuti dvojac već znao da će i ubuduće zajedno raditi pa su se dogovorili da oforme grupu, a ime Doppler Efekt je smislio Popara par dana poslije. Nakon „noćne trologije “ uslijedile su nove pjesme, poput Nevere, Nema Bježanja 1 i 2, InkognitaMagellana i Himne. U to se vrijeme oformio SixPack kolektiv ( One II Many, Elemental, Doppler Efekt ) koji je imao sličnu ideju kao današnji Sinestet, ali ta ideja nikad nije u potpunosti zaživjela zbog nedostatka ideja i prijateljstva. Taj je kolektiv prividno funkcionirao neko vrijeme da bi se izlaskom Inkognita iz Elementala i službeno raspao ( tj. sveo samo na One II Many crew iz Šibenika, koji su ga idejno i zamislili ). Doppler Efekt je u tom periodu snimio dvadesetak pjesama, a sve su kompilirane na Sinestet dvostrukom albumu Majstori Mračnih Misli. Službeno su objavljene pjesme Noćna Ptica ft. Remi ( Elemental: Tempo Velegrada ) i Čisto Ludilo ft. Tram 11 ( Tram 11 : Tajna Crne Kutije ). Prvi je koncert Doppler Efekta ( ne računajući Magellanova gostovanja na Elementalovim koncertima ) održan 11.1.2003. na PhatKset partiju u zagrebačkom klubu Kset, a grupa je od tada nastupala u skoro svim zagrabačkim klubovima: Aquariusu ( jedina grupa bez ugovora koja je nastupala na devetoj i desetoj godišnjici Blackout Rap Showa 2002. i 2003. god. ), KC-u Kaptol Centra, OTV Domu, Kulušiću, Cab Clubu, Sokolu, a također i više puta na Fat Beat godišnjicama u Karlovcu, a bili su i predgrupa legendarnom Jeru The Damaji u Boogaloou…etc. 2006. godine dvojac snima svoj drugi album “Noćnoptični”.Da rezimiramo....Doppler Efekt doživotno.....Pis out f f f f f freestyle inače ocilom sinestetu imate negdi na mon blogu :) |
01.08.2007., srijeda
Prti Bee Gee
 Shot at 2007-08-01 (MOSKRI) PRTI BEE GEE 77-05 (One Records, 2006) Drugi album najkontroverznije beogradske hip hop grupe, izdat kao uspomena na njihovog preminulog člana Moskrija, bitna je ploča aktualnog domaćeg rep trenutka. Imamo posla sa izdanjem koji je podjednako i pohvala životu i protiv samog života, život koji svoje ispunjenje traži i nalazi u njegovom završetku Drugi talas (neki bi rekli i treći, ako računamo proto-rap grupe kao što je Budwaiser) beogradskog hip hopa izbacio je kao svoje najeksponiranije predstavnike grupe Beogradski Sindikat, Bad Copy (koji su bili deo i prvog/drugog talasa) i Prti Bee Gee. Dok su BS i BC zahvaljujući svom pristupu rep tematici i talentu brzo osvojili medije i publiku potpuno spremnu na korespondenciju, sa Prtijevcima su stvari išle malo drugačije. Zahvaljujući kontroverznim sadržajima koji su se, poput nepisanog pravila, iznova javljali u svakoj njihovoj pesmi, sa polaznom tačkom u surovoj betoniranoj svakodnevici i tabuima modernog života, pravila kulturnog ophođenja su rušena u svakom stihu, čime je ova ekipa sebi zatvorila vrata uglavnom svih medija. No, kako to obično biva, time su i stekli oreol kulta unutar žanra. Sa prvim albumom Grejtest hits (2002) postavljene su koordinate njihovog prepoznatljivog stila - haotične rime na tragu flešbekova, u kojima su sadržane večne PBG teme: kriminal i lake žene u slepim ulicama velegrada, što je postao njihov zaštitni znak čime je stečen identitet koji ih je sa lakoćom izdvajao od ostatka scene. Crni humor koji (pre)često sklizne u degutantno i opsceno, ulična poza koja se ne dovodi u pitanje, respektabilna doza hrabrosti u formi eksplicitnosti izraza i brutalne iskrenosti – glavne su osobine i ovog albuma, izdatog u čast preminulog člana grupe MC Moskrija (pretprošlog leta umro u 28. godini). Igrajući provereno na kartu šoka - Eufrat, Mikri Maus i Moskri, poznata lica sa bg. rap scene - sačinili su album koji o trenutnoj situaciji u gradu u kome živ(otar)e govori mnogo više nego većina socioloških ili drugih naučnih studija. Stilski naslonjeni na nasleđe gangsta rapa, oni u svojim pesmama podjednako nemaju milosti za veterane gradske rock scene, za srpsku muzičku ili političku estradu etabliranu tokom prethodne decenije. U tom poduhvatu oni ne štede ni sebe, čineći izbor načina svog života definitivnim i jedinim mogućim u okolnostima koje ih okružuju i okruženju u kome se nalaze. Iz svega do sad rečenog, nije teško izvući zaključak da ovo nije album koji se pušta pred roditeljima ili ljudima koje nedovoljno poznajete: ovo je izdanje koje se bavi tematikom koja je svima poznata, ali se retko sa kim o njoj otvoreno priča. Time se na njega lepi etiketa ''zabranjenog voća'' koja garantuje auru specifične privlačnosti svojstvene škakljivim temama. Tražeći izlaz u začaranom krugu u čijem se centru nalaze - a u kome izlaza zapravo nema, što je delimično posledica lične odluke koju ni u kom slučaju ne treba slediti kao svetao primer - momci iz benda u stihovima prezentuju autentičan bunt, koji istovremeno dobija na ceni i opominje tragičnom Moskrijevom sudbinom. I pored svega što im ne ide u prilog, Prti Bee Gee zaslužuje simpatiju i respekt za svoj angažman: upravo zbog tog svojevrsnog (anti)životnog idealizma - neke vrste neostvarive utopije koja mnogo od svoje slike duguje užasnim prizorima koji ih okružuju - oni definišu anarhizam (sa korenima u turbo folku a ne u punku), lišen humanizma u svojoj supstanci, bez milosti prema bilo kome. U realnosti utemeljena, egzistencijalistička nota koja stoji u predlošku ovog benda svoju vrišteću artikulaciju ispoljava u dekadenciji i preterivanju, i nužno se završava u autodestrukciji kao jedinom logičnom i mogućem ishodu. Veoma smireni glasovi i konstantna spremnost na iščašen humor, sugerišu potpunu adaptiranost na takvu mogućnost: imamo posla sa izdanjem koji je podjednako i pohvala životu i protiv samog života, život koji svoje ispunjenje traži i nalazi u njegovom završetku. I upravo na tom mestu bivaju razvejane sve nedoumice oko autentičnosti primene gangsta rap obrasca u stvaralaštvu ove grupe. Kao i u svim ostalim pozitivnim primerima upotrebe stranih iskustava na domaće uslove, ino uzori služe kao inspiracija i polazna tačka u stvaranju sopstvene poetike. Ona zato nužno mora imati nešto svoje da bi bila autentična i kao takva bila prepoznata kao vrednost; a ne kao krajnji cilj i svrha postojanja nekog muzičkog projekta. Jedina slaba tačka na ploči su tri pesme koje se nalaze u sredini albuma (Heroin (skit), Pajdokoma i Smoket) koje više zvuče kao skice nekih budućih pesama nego što to zaista jesu. Na sreću, na ploči je mnogo više brojeva u kojima proverena Prti formula funkcioniše (Čeda, Boom Biddy Bye Bye, Original Gangster, Na Pointu, Gde god da krenem; da pomenemo samo neke od ukupno 17 pesama) - u njima se bez skrupula iznova pokazuje lice one Srbije koju svi guraju pod tepih i zatvaraju oči pred njom. Matrice se nadovezuju na mnogima najdraži period hip hopa (sredina prethodne decenije) i uglavnom su korektno odrađene i stilski raznovrsne čime je otklonjena monotonost kao mogućnost pri preslušavanju ovog CD-a. Prti Bee Gee - So Fucking High Prti Bee Gee - Original Gangster |
17.07.2007., utorak
Aesop Rock - preuređen post
 Aesop Rock (born Ian Matthias Bavitz, 1976) is an American hip hop artist. He was in the forefront of the new wave of underground acts that emerged during the late 1990s/early 2000s. He is signed to El-P's Definitive Jux label and remains one of the most popular and critically acclaimed independent hip hop artists today. Music A Long Island, New York-born MC, Aesop initially recorded and released two self-financed records, Music for Earthworms (1997), featuring underground legend Percee P on two tracks, and the Appleseed EP (1999), while also working as a waiter. These two independent releases are widely sought after in the underground scene.[citation needed] After moving to the Mush label, Aesop released his first major album, Float (2000), with guest appearances from Vast Aire, Slug, and Dose One. Production was split between Blockhead and Aesop himself, with one track by Omega One. Shortly after releasing Float, Aesop Rock signed to Manhattan-based label Definitive Jux (usually called Def Jux), where he released Labor Days, an album dedicated to the discussion of labor in American society and the concept of "wage slaves". This album was most well known for its single "Daylight." Because of its popularity, Daylight was re-released in 2002 as a 7-track EP, including an "alternative" new version of the song, "Night Light," whose paraphrased lyrics simultaneously refer back to, and stand in stark opposition to, the original's. Labor Days was followed up by Bazooka Tooth in 2003. For the first time, production was mostly handled by Aesop himself, with three tracks from longtime collaborator Blockhead and one from close friend and Definitive Jux label CEO El-P. Guest appearances include Party Fun Action Committee, El-P, and Mr. Lif (all Definitive Jux labelmates) and Camp Lo. With this release Aesop hit a higher level of recognition, releasing "No Jumper Cables" as a single and music video, then another single, "Freeze," shortly after. The album presented a change in Aesop's sound, displaying for the most part a messy, discordant production style similar to that of El-P. It retained Aesop's intense and inventive lyrical style: one track, the acid-themed "The Greatest Pac-Man Victory in History", features an extended section comprised entirely of words beginning "L", "S" or "D", in that order, to continually spell out the initials of the drug. Notable lyrical phrases from "Freeze" include: "you should have shot yourself in the foot while it was in your mouth" and "before you kick your feet up, I married and divorced Mother Nature after sweet-talking that old hag out of a pre-nup". At another point, Aesop interrupts the song "11:35" with a sudden minute-long rap, performed almost a cappella over a minimal beat: "I got one - Jack for Jill, Jill won't, Jack will. Jill didn't, then did, Jack fell". Bazooka Tooth was criticized by fans of Labor Days and Float for abandoning the compassion found in those earlier albums in favour of a more confrontational and traditional style; this seems to be reflected in the more intense production, which lost a lot of its jazzy, abstract sound from Float and Labor Days.[citation needed] In the summer of 2004, Aesop Rock appeared on the Evil Nine Single "Crooked" from the Album You Can Be Special Too, on Marine Parade records. In February 2005, Aesop Rock released a new EP, Fast Cars, Danger, Fire and Knives. The first pressing of the EP included an 88 page booklet with lyrics from every release from Float until this EP (the lyric booklet is titled The Living Human Curiosity Sideshow); later pressings of the album come without the booklet, but with an additional bonus track. In addition, a limited number of albums were available direct from Def Jux with Aesop Rock's graffiti tag on them. In response to demands from his fans, Aesop did less production on the EP: three songs are produced by Blockhead, three produced by Aesop, and one by Rob Sonic. In April of 2006, it was announced that Aesop Rock is working on a new album. The album, tentatively titled None Shall Pass, is said to feature production from Blockhead and scratches from DJ Big Wiz, as well as some appearances from traditional Def Jux cohorts like El-P. John Darnielle of The Mountain Goats, a friend of Aesop Rock's, is to collaborate with him on one of the tracks. The album is slated for release on August 28th, 2007. According to Aesop, some track titles are "Coffee", "Dark Heart News", "Keep Off The Lawn", "39 Thieves" and "None Shall Pass". It will also feature traditional instrumentation by Parchman Farm, the band of Allyson Baker, whom he recently wed. [1] Most recently, Aesop Rock was commissioned to create a 45-minute instrumental track for the Nike+iPod running system, entitled "All Day." Distributed via the iTunes Music Store and featuring Allyson Baker on guitar and scratches from DJ Big Wiz, Aesop has described the release as "something that evolved enough that the sound was constantly fresh and attractive, as though the runner were moving through a set of differing cities or landscapes." [2] Personal life Bavitz grew up in Northport, New York and attended Northport Senior High School. However, Bavitz is often noted as saying he is from Queens or the Lower East Side, Manhattan. He married Allyson Baker, guitarist of San Francisco rock band Parchman Farm in 2005. They reside in San Francisco together. His move was a highly discussed topic in the internet community, as he was well known for representing New York City in his work and his life. He has tattoos on each forearm referring to the chorus of his song "Commencement at the Obedience Academy." His left arm says the words "Must Not Sleep," and the right says "Must Warn Others," quoting the line "Must not sleep; must warn others/ Trust blocks creep where the dust storm hovers." Bavitz is a graduate of Boston University where he studied painting. [3] Selected discography For complete discography, see Discogs.com entry Albums Music for Earthworms (1997) Float (2000) Labor Days (2001) Bazooka Tooth (2003) (also released as Build Your Own Bazooka Tooth (2004)) All Day: Nike + Original Run (Instrumental album) (2007) None Shall Pass (2007) EPs Appleseed (1999) Daylight (2002) Fast Cars, Danger, Fire and Knives (2005) Singles Boombox 12" (2001) Daylight 12" (2001) Coma / Maintenance 12" (2001) Easy / No Jumper Cables 12" (2003) Freeze / The Greatest Pac-Man Victory In History 12" (2003) Limelighters 12" (2003) Fishtales 7" (2006) skinuto sa wikipedie, a nije mi se dalo prevodit nakon šta san prevea prvi red i pogleda koliko toga ima...evo ovako malo o njegovoj muzici...meni se sviđa jer volim underground i taj zvuk njegov skidam njegov album daylight a već san prije skinia ˝Labor Days˝ i ˝None Shall Pass˝ - promo - 2007/08 jako mi se sviđa,i to ne po jedna dvi pisme sa svakog od albuma,nego baš ono cili albumi,a u uho mi je ušla pisma DAYLIGHT,neznan zašto...ako kome triba šta od njega ja ću mu dat linkove ili ako se pokaže neko zanimanje stavit ću linkove ode na blog u dnu ovog posta...peace & respect...c ya Aesop Rock ft. EL-P - Daylight Aesop Rock - Boombox Aesop Rock - Labor Labor Days2001 : http://rapidshare.com/files/40489530/Labor_Days__Sept_-_2001_.rar None Shall Pass : http://lix.in/383f3e linkovi sa: www.raplection.com |
15.07.2007., nedjelja
svi ste vi...
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SVI STE VI JEBENI UFURANI IZGORI...izgoretine...kako god oš...šetan gradon a ono vidiš dva leeka ka da imaju geler u nozi hodaju,još ruke razbacuju ne sve strane,onda njihova spika.......aaaaaa...i onda meni govore nešto...ono yo g,ye lega,bla bla bla...čoviče okreni se malo vidi di smo!!na istom mistu mi smo!! ovo je hrvatska,nije amerika,ovo je balkan...ode nema kmica,nisi crnac,nisi gengsta,koji kurac onda glumiš tu nekog opakog??da te na planu gradu zadra pitan di živiš ti bi pokaza compton!!saberi se malo... ...neda mi se više pisat znojin se i vruće mi je!!!!!!!!!!... |
14.07.2007., subota
Cannone
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njegov citat: Prve hip-hop korake,učinio sam sa svojom grupom '5 konja',ali to je bilo samo snimanje na diktafon uz američke instrumentale jer nije bilo uvjeta za bolje.U početku su to bile samo 'hobby' rime i neozbiljne stvari ali kako je došlo do raspada grupe '5 konja'(zbog odlaska Žeksa u zatvor i zbog neslaganja ostalih)odlučio sam ući dublje u igru i nastavio sa solo snimanjem.Nakon cd-a od '5 konja'-na kojem je bilo 10 pjesma,snimio sam i solo dvije kazete na diktafon a na proljeće 2004 i album 'Poduzeće za travu i smeće' ,prvi 'long-play'(18 stvari..)Kako je i dalje situacija sa studiom bila 'status quo',potraga za zrakom je bila izuzetno teška i prvi znakovi napretka bili su kod frenda Andreje Belca,kod kojeg je snimljen i prvi cd sa mikrofonom(?)-'Bijeg'-relativno depresivan album. Da sva volja ne splasne ,pomogao je Shadow Mc,koji je tada upravo gradio studio War Track Records u podzemlju Rojca. Pozvao me da mi producira album,i snimljen je na jesen 2004,nazvan 'Dvije strane medalje'.Tu se počela već stvarat ozbiljnija spika oko pulske scene hip-hopa,jer je do tad Shadow bio praktički jedini Mc na domaćoj sceni(koji se pojavljivao javno).To vrijeme se stvarno puno ljudi okušalo mikrofona,al eto,rijetko koj od tih 'repera' je ostao još tu…(čast iznimkama) Na proljeće 2005,već je snimljen i drugi album Cannonea pod produkcijom Shadowa,nazvan 'Serija bez kraja' a nedugo nakon toga i treći 'Lagannone',ovaj put na strane matrice,čisto kao zbirka RMX-eva. Nažalost,u jesen te 2005 .provaljeno je u studio War Tracka i situacija je krenula nizbrdo.Teško je bilo održat kadar Mc-ija koji su ostali bez terena za rokat.Mnoge pretumbacije učinile su zatišje sve do ljeta 2006 kad sam se povezao sa grupom P-2.Snimljen je četvrti album 'Cannonade',nazvan tako da slušatelj prepozna autentičnost autora koji tjera svoj 'direktan stav' na mikrofon. Izvršni producent je po prvi puta sam Cannone(ja),uz Filijalu iz P-2,koji je obavio recording i napravio dobar 'pis' albuma.Naravno,tu se našlo mjesta i za Shadowa,te lokalnog glazbenog 'genija' Ranka Šajfara,što se tiče produkcije,a kao gosti se pojavljuju novi mladi talenti pulskog hip-hopa;Do kosti,Anamarie,Hash'n'Kukiz te starosjedioci P-2 i Shadow. Kraj 2006 je trebao bit u znaku prvog-pulskog-kolektivnog-rap-mixtapea,ali kažem trebao,jer smo od nove godine bili puni peha…ostali smo bez prostorije u P-2,pošto nismo imali potrebne papire,pa smo prebacili sve kod dekija doma,pa nam riknuo hard,pa matična ploča,pa drugi hard…itd,al nakon 4.mjeseca smo nekako zapakirali tih 18 pjesma i objavili taj mixtape. Na cdu rokaju ; P-2,Cannone,Shadow,Paver,Anonimus,Pirati,Contez,Hash'n'Kukiz,Fric,Do kosti i čak jedno inozemno pojačanje,iz Tuzle,U.K. Najvažnije u svemu tome je 'mooving' koji je nastao i mnogi mladi su ovdje našli svoju 'vreću za napucavanje'.Gledajući sa strane stanje u društvu općenito,ovako nešto je idealno da se nađe zanimacija mnogim mladima kojima se u općem rasulu koje vlada,kao alternativa surove stvarnosti,nudi samo droga i kriminal,kao prividni izlaz iz blata.Tu je velika važnost stasanja osobe uz glazbu i pozitivne vrijednosti. Za kraj,Cannone sprema već sljedeći album(cca.12 mjesec 2007) a prije toga će predstaviti svoju grupu Pirate,koji bi trebali izbacit demo oko krajem ljeta..Sada ovih dana traje snimanje albuma Shadow Mc-ija,tako da ću vas informirat kako ide na svim tim projektima i naravno,bacat ćemo i novi materijal gore.Yo,pravi pulski hip-hop(kažem pravi jer ne govorim o onom purgersko-pulskom rapu kojeg ima u ovom gradu) nije mrtav,on diše i jača,ali položaj mladih u gradu nam ne daje previše solucija za predstavljanje naše scene.U svakom slučaju,nema predaje,i pravi PU-rap ide dalje… uzea san ovo sa njegovog bloga...nemojte mu reć =) http://cannone.blog.hr/ poslusa san njegov album DVORAC ROJC Prvi Pulski Mixtape (LP) Na albumu možete čut leekove za koje ljudi iz Pule ne znaju =) sprd. --> underground teški sastoji se od 18 pisama: 1. P-2 & Cannone - Siesta 2. P-2 - Verbalni Kriminalci 3. Shadow, Cannone & PaverPula To Je (K)Raj 4. Do Kosti - Ovako Kako Vidim 5. Anonimus - Sklisko Tlo 6. Hash`n`Kukiz - Zločesti Kolačići 7. Pirati - Reakcija 8. Pawer - Zašto Bi 9. Contez & Shadow - Kao Jeben San 10. Anonimus - Dijete Getta 11. Cannone & U.K.(tuzla) - Slijepa Cesta 12. Shadow & P-2 - Hiphoptetski 13. Cannone & P-2 & Fric - Lom Po Mom 14. Vlad & Cannone - Repetitor 15. Šajfer & Filajala - Mediterranea 16. Vlad - Balada O Djeda Mrazu 17. Deki & Julie - Moje Malo 18. War Track & P-2 crew - Dvorac Rojc album download --> http://cannone.blog.hr/ ostali albumi od Cannone-a --> http://cannone.blog.hr/ obavezno poslušajte!! |
13.07.2007., petak
demo album je u izradi
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eo planiram ga napravit još ovo lito...kad dovršin jednu podlogu i napravin još jednu bacan se na snimanje...jednu ću probat na shiti majku pa ako bude smeće kupit cu pravi... MC Pepeljara a.k.a X-Thug Nelagodne Misli (Demo) Popis Pisama: 01. New Sound 02. Smrt Fejkeru 03. I Still Remember That Time 04. Opet Isto, Uvik Isto 05. Diss 06. Outro front  back  ( na albumu ima par pisama sa početka mog pisanja rima na papir...zato nemojte ga gledat pre kritički,prva pisama se zove new sound...jer ce ovo imati tako loš zvuk kakav nevirujen da ste baš čuli (neman studio,neman mikrofon,sve sniman na svon staron šugavon kompu,sam radin muziku i txt,sve san sam napravia...tako da mi drugi nebi govorili kako nikad ništa nebi uspia da san sam!! ) |
12.07.2007., četvrtak
Diyala - Raw
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prejeben stil se izražava u svin pismama šta san čua...samo tri evo jedan (spot) |
08.07.2007., nedjelja
o MC-ingu
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Emceeing: Emcee is derived from the abbreviation M.C. or "Master of Ceremonies," which also implies "move the crowd." An emcee is a person who raps to inspire people with well-written, crisply-delivered, clear and concise lyrics. Most people would rather 'rap' or rhyme words in a catchy manner, but very few take the time to actually emcee. The likes of Melle Mel and Nas barely falter in the field of emceeing. From An Emcee's Perspective: In his book, *The Art of Emceeing, Stic.man of dead prez writes, "A rapper is to an emcee what an average street fighter is to a trained martial artist. The are both fighters but the degree and depth of their skill is very different." The Origin of Emceeing: Emceeing has been in existence prior to the days of slavery, way before the United States even existed. African griots or poets, who delivered their rhythmic folk tales over drums and other forms of instrumentation, are often cited as the innovators of what is now known as rap. Elements of Emceeing: Certified emcees stand out because they share certain elements in common. Rhyme Scheme: This is also known as rhyme structure. An emcee's rhyme scheme refers to the pattern of his rhymes. This ranges from basic (Kanye West) to complex (Eminem). Delivery: The way an emcee flows may depend on his cadence, speed, melody, intonation, rhythm, enunciation, and even accent. This is known as delivery. Both Eminem and Jay-Z possess the ability to alternate their flow and delivery with adept swiftness. smthg on engl. just learn engl. uzeto sa http://rap.about.com/od/hiphop101/p/Emceeing.htm |
06.07.2007., petak
ma jedan stari spot
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koji budi uspomene i sječanja |
